Kurt Loder
reviews Darren Aronofsky’s Noah. He writes that the
film opens with a rush of imaginative filmmaking whose energy,
unfortunately, can’t be maintained. It is a serious project
from a director whose visionary gifts have never been in question.
But it sometimes feels like two, maybe three movies contending for
narrative dominance. The filmmakers must surely be praying there’s
one audience for all of them.
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