When is it acceptable journalistic practice to “surface” old social media posts?

Earlier this month, an article on Bloomberg Law surfaced purportedly anti-semitic facebook postings by Leif Olson. Of course, the postings were in no way anti-semitic, and indeed were mocking anti-semites. The report was false and misleading. Since publication, Bloomberg Law has refused to retract the article. Instead, it has issued several revisions and modifications that make the story incomprehensible. I can only hope that the purported reporter, Ben Penn, is being investigated, and will face discipline. (He has not tweeted since the original story was published).

My goal here is not to further excoriate Bloomberg’s indefensible publication. Rather, I will focus on an element of Penn’s story that has not gotten much attention. He wrote:

“A review of a decade of Olson’s Facebook posts shows that he usually promotes his Christian faith and conservative views.”

This statement is stunning. A reporter spent countless hours scrolling through ten years of Facebook posts. How much time did this task take? Do journalism schools now offer classes in timeline scrolling? Hashtag analysis? Sarcasm detection? Deleted tweet recovery?

Penn did not perform this grueling search as part of a general profile of Leif. Rather, Penn had a specific goal in mind: search and destroy. He was looking for something– anything–that could be deemed offensive. (Penn utterly failed on that front). I would surmise that Penn also performed a similar search-and-destroy mission for other Trump Administration officials. That he didn’t write about them suggests he didn’t find anything to use. The best he could find were Leif’s non-anti-semitic posts.

There is another reason why Penn’s statement was stunning. Journalists routinely complain about being forced to produce vast amounts of content under tight deadlines. Reporter often call me and request a quote instantly, because they are facing a deadline–whether or not I’ve had time to consider the issue! I get it. Social media has transformed the news landscape. The first to publish gets the glory.

Given these constraints, why would a reporter spend countless hours aimlessly scrolling through Facebook posts with the sole purpose of surfacing offensive tweets? There are so many other useful tasks a reporter can perform. Moreover, why would any competent editor at Bloomberg approve of such a task? Note to Bloomberg: this failure belongs also to your editorial team–they should face discipline as well as Penn.

Recently the Des Moines Register faced a similar situation. The Washington Post offered this summary:

The case revolved around Carson King, a 24-year-old casino security guard who gained unexpected fame after he appeared in the background of ESPN’s “College GameDay” on Sept. 14 holding a sign requesting donations for his “Busch Light Supply.” When strangers quickly sent him more than $600 on Venmo, he decided instead to donate the money to a local children’s hospital. Soon, Anheuser-Busch and Venmo announced matching donations as his fundraising topped $1 million.

That’s when the Register began working on a profile, and Calvin learned of two racist tweets King had sent when he was 16 years old. Before the newspaper could publish its profile, though, King held a news conference Tuesday evening apologizing for the racist jokes and revealing that Anheuser-Busch had cut ties with him. King said Calvin had brought the tweets to his attention, though he said he didn’t blame the newspaper.

Was the Register on a search-and-destroy mission, like Ben Penn was at Bloomberg? No. The paper explains that it was trying to write a balanced profile of Calvin that unexpectedly turned up a few inappropriate tweets:

Some of you wonder why journalists think it’s necessary to look into someone’s past. It’s essential because readers depend on us to tell a complete story.

In this case, our initial stories drew so much interest that we decided to write a profile of King, to help readers understand the young man behind the handmade sign and the outpouring of donations to the children’s hospital. The Register had no intention to disparage or otherwise cast a negative light on King.

In doing backgrounding for such a story, reporters talk to family, friends, colleagues or professors. We check court and arrest records as well as other pertinent public records, including social media activity. The process helps us to understand the whole person.

This explanation seems reasonable. Calvin was thrust into the spotlight, and the local paper decided to figure out who he was. This task stands in stark contrast with Ben Penn’s facebook crusade: his sole purpose was find bad stuff on Leif. Bloomberg would never have run a story if Olson’s social media was clean.

The Register also explains why it decided to write about the old tweets, once they were discovered:

Once we have obtained information in background checks, how do we decide what to publish?

It weighed heavily on our minds that the racist jokes King tweeted, which we never published, were disturbing and highly inappropriate. On the other hand, we also weighed heavily that the tweets were posted more than seven years ago, when King was 16, and he was highly remorseful.

We ultimately decided to include a few paragraphs at the bottom of the story. As

This analysis is incomplete. On the one hand, the tweets were inappropriate. On the other hand, the tweets were posted when King was 16–not even old enough to form a legal contract! Why, then did the paper opt for disclosure? The editor does not say.

Regrettably, the norm today is predictable: whenever anyone is thrust into the spotlight, for even the most insignificant reasons, an army of social media spelunkers climb through every crevice of the insta-celebrity’s timeline to find something–anything–to embarrass him. Conservatives do it to liberals. And liberals do it to conservatives. This circular firing squad needs to end–eventually, everyone can be cancelled. He that is without without social media sin among you, cast the first tweet.

What, then is the relevance of old, offensive tweets? To be sure, these posts shed some light into a person’s views at an early juncture of his life. But I am generally skeptical they provide much insight into how they currently approach the world–especially when the postings are old, and were published before a person’s professional career began.

How should our society weigh these old postings? I do not propose some sort of statute of limitations, in which past writings are off-limits. Rather, I suggest a different test: when a person’s established body of work is entirely inconsistent with, and indeed in tension with earlier postings, such nascent musings should be entitled to less weight. Under the opposite rule, everyone will be forever tainted by their worst moments. Our society should afford those aspiring for higher status the opportunity to grow, reflect, and recant.

from Latest – Reason.com https://ift.tt/2mhWLsR
via IFTTT

Wells Fargo Finally Appoints New CEO Who Is A Dimon Protege

Wells Fargo Finally Appoints New CEO Who Is A Dimon Protege

Wells Fargo has finally found a new CEO.

The scandal-plagued banking giant has hired Charles Scharf, CEO of BNY Mellon, to be its new chief executive after its prior two CEOs resigned under intense political pressure. The decision ends a closely watched, months-long search.

Scharf began his career in finance as a mentee of Jamie Dimon, following him all the way from serving as his personal assistant at Commercial Credit to the upper ranks of JP Morgan, where Scharf served as CEO of Retail Financial Services for nine years between July 2004 and June 2012. He was also once the managing director of One Equity Partners, JPM’s private investment vehicle.


Tyler Durden

Fri, 09/27/2019 – 07:18

via ZeroHedge News https://ift.tt/2n7wo9l Tyler Durden

Oil Tumbles On Report Saudis Agree To Partial Ceasefire With Yemen

Oil Tumbles On Report Saudis Agree To Partial Ceasefire With Yemen

With the price of oil still on edge over the duration of Saudi Aramco repairs and speculation over how long until Saudi oil output is fully restored, moments ago Brent tumbled after a WSJ report that Saudi Arabia – which is hoping to come to market with the Aramco IPO in the coming weeks – is seeking to impose a partial cease-fire in Yemen, as Riyadh and the Houthi militants the kingdom is fighting try to bring an end to the four-year war that has become a front line in the broader regional clash with Iran.

Saudi Arabia’s surprise decision to de-escalate a long-running war follows a just as surprising move by Houthi forces to declare a unilateral cease-fire in Yemen last week, just days after claiming responsibility for the Sept. 14 drone and cruise missile strike on Saudi Arabia’s oil industry the WSJ notes. While the Houthis fired two missiles at Saudi Arabia earlier this week, the strike wasn’t seen by Saudi leaders as a serious attack that would undermine the new cease-fire efforts.

Houthi leaders initially said they were responsible for the attack on the oil facilities, but Saudi, U.S. and European officials have dismissed the claims as a transparent attempt to obscure Iran’s role in the strike. Yemeni fighters, these officials say, have neither the weapons nor the skills to carry out such a sophisticated strike.

In the days that followed the attack, an internal Houthi rift expanded between those who want to distance themselves from Iran and those who want to strengthen ties.

An end to the war – if sustained – would certainly be a major breakthrough for peace in the region. Yemen’s war has become a political and military morass for Saudi Arabia and Crown Prince Mohammed bin Salman, the country’s de facto ruler and original architect of the war plans. The war has eroded support for his country in Washington, where bipartisan opposition to the conflict has solidified.

The Houthis’ unilateral cease-fire last week has raised hopes in Riyadh and Washington that the Yemeni fighters might be willing to distance themselves from Tehran. The U.S. has accused Iran of providing the Houthis with missiles, drones and training they have used to target Saudi Arabia for years. Iran has dismissed the claims, but Tehran has moved to deepen its ties with the Houthi forces.

In response to the Houthi move, Riyadh has agreed to a limited cease-fire in four areas, including San’a, the Yemeni capital Houthi forces have controlled since 2014.

If the mutual cease-fire in these areas takes hold, the Saudis would look to broaden the truce to other parts of Yemen, according to people familiar with the discussions.

Of course, chances are the deal collapses quickly: the new cease-fire faces steep odds, as similar arrangements have crumbled before the WSJ notes. Both sides continue to carry out attacks, including a Saudi airstrike north of San’a on Tuesday that killed several civilians. The internal Houthi divisions could undermine the peace efforts, as they have in the past.

“Yemen needs to break from this vicious cycle of violence now and be safeguarded from the recent tension in the region that could risk its prospects for peace,” said Martin Griffiths, the U.N.’s special envoy for Yemen who brokered peace talks last December in Stockholm that helped defuse tensions and pave the way for new diplomatic initiatives.

In any case, in kneejerk reaction Brent tumbled as much as 1.8%, dropping to a session low of $61.6, down $1.00 in seconds, and erasing all of last week’s gains.


Tyler Durden

Fri, 09/27/2019 – 07:09

via ZeroHedge News https://ift.tt/2nawD3h Tyler Durden

Review: First Love

Takashi Miike is possibly the last director—well, Rob Zombie and the sadly retired Uwe Boll might also spring to mind—whom you’d expect to find dabbling in true romance. It’s taken him a while to reach this breakthrough, but hey, he’s been busy. (As required by movie-reviewing law, I must here point out that, although he’s only 59 years old, Miike is credited with directing more than 100 films, many of them released theatrically, others made for the straight-to-video market or for TV.) Since his trademark is a species of fierce, sadistic violence that’s so over-the-top it’s often funny (well, to a certain kind of viewer), the appearance of a new Miike movie called First Love might incline fans to fear that he’s going soft on them.

But no. Or not really. This being a Miike film, the young canoodlers at the heart of the story are a boxer with a brain tumor (Masataka Kuboat) and a drug-addicted call girl (Sakurako Konishi). And the Tokyo that they flee through over the course of one long, frantic night is a place where severed heads come rolling out of doorways, a woman expends a lot of energy kicking a man to death (“You don’t get out of this by dying,” she screams at his lifeless body), and an angry yakuza carefully drives his van over an unconscious bad guy’s head (cue sound of melons being crushed).

One drawback of Miike’s madly prolific approach to filmmaking is that it sometimes leaves him scrambling for good scripts, which he isn’t always able to find, if he even bothers looking. (On the other hand, his 1999 needle-torture classic Audition is a picture not an awful lot like any other, and so is his spectacularly brutal 2001 gang flick, Ichi the Killer.) With First Love, the director has said that he wanted to get back to a classic yakuza crime film, and he’s certainly done that—the picture is filled with tough guys (and very tough women), scuzzy drug dealers and crooked cops, all doing pretty much what you’d expect. What makes the movie compelling is the tireless energy and choreographic clarity that Miike brings to his action sequences, of which there are, of course, many.

The story gets underway in a boxing ring, where Leo, a well-regarded up-and-comer, is losing a match for reasons he can’t understand. (Miiki renders his fight scenes with nimble camera strategies and very tight editing, and you can almost feel the sweat spraying your face with each punch.) After Leo gets the news that he has a possibly inoperable brain tumor, we move along to make the acquaintance of Monica, who’s turning tricks to pay off a debt owed by her abusive father to a yakuza bigwig. Monica is kept a virtual hostage by a drug dealer who has gotten her addicted to heroin, and she’s also mercilessly berated by the dealer’s unhinged girlfriend Julie (pop singer and TV star Becky, taking a step up in the biz).

Fuurther enlivening the story is a treacherous yakuza youth called Kase (Shôta Sometani) who’s scheming with a corrupt police detective (Nao Ohmori, a veteran of Ichi the Killer) to hijack a big drug shipment and blame it on the Chinese mob. Also on hand, at first as a subject of nervous discussion and later as a fearsome presence, is a hitman called One-Armed Wang (a name I take to be a shout-out to the 1967 martial arts movie of that title), who has been able to continue pursuing his chosen profession, despite his handicap, by acquiring a pump-action shotgun. (If only the actor who plays him could acquire a name in the movie’s English-language credits.)

First Love isn’t great Miike, but it’s fun, despite the fact that—spoiler—love conquers all (or at least a lot) in the end. Fans should find quite a bit to like—there’s a quick, funny bit, for example, in which a gunman has his shooting arm hacked off with a sword and then finds it hard to pry his pistol back out of his former fingers.)

Miike remains a meticulous action filmmaker; if only he hadn’t always been in such a hurry. And now he faces a serious challenge in the ultra-violence department: the John Wick movies. These are also deliriously brutal (although not as sadistically twisted as some of Miiki’s films), but they’re also set in a world with a rich pulp mythology unlike anything Miike has come up with (as far as I’m aware). Our man might want to give this some thought, maybe take a year off.

from Latest – Reason.com https://ift.tt/2mfCLqM
via IFTTT

When is it acceptable journalistic practice to “surface” old social media posts?

Earlier this month, an article on Bloomberg Law surfaced purportedly anti-semitic facebook postings by Leif Olson. Of course, the postings were in no way anti-semitic, and indeed were mocking anti-semites. The report was false and misleading. Since publication, Bloomberg Law has refused to retract the article. Instead, it has issued several revisions and modifications that make the story incomprehensible. I can only hope that the purported reporter, Ben Penn, is being investigated, and will face discipline. (He has not tweeted since the original story was published).

My goal here is not to further excoriate Bloomberg’s indefensible publication. Rather, I will focus on an element of Penn’s story that has not gotten much attention. He wrote:

“A review of a decade of Olson’s Facebook posts shows that he usually promotes his Christian faith and conservative views.”

This statement is stunning. A reporter spent countless hours scrolling through ten years of Facebook posts. How much time did this task take? Do journalism schools now offer classes in timeline scrolling? Hashtag analysis? Sarcasm detection? Deleted tweet recovery?

Penn did not perform this grueling search as part of a general profile of Leif. Rather, Penn had a specific goal in mind: search and destroy. He was looking for something– anything–that could be deemed offensive. (Penn utterly failed on that front). I would surmise that Penn also performed a similar search-and-destroy mission for other Trump Administration officials. That he didn’t write about them suggests he didn’t find anything to use. The best he could find were Leif’s non-anti-semitic posts.

There is another reason why Penn’s statement was stunning. Journalists routinely complain about being forced to produce vast amounts of content under tight deadlines. Reporter often call me and request a quote instantly, because they are facing a deadline–whether or not I’ve had time to consider the issue! I get it. Social media has transformed the news landscape. The first to publish gets the glory.

Given these constraints, why would a reporter spend countless hours aimlessly scrolling through Facebook posts with the sole purpose of surfacing offensive tweets? There are so many other useful tasks a reporter can perform. Moreover, why would any competent editor at Bloomberg approve of such a task? Note to Bloomberg: this failure belongs also to your editorial team–they should face discipline as well as Penn.

Recently the Des Moines Register faced a similar situation. The Washington Post offered this summary:

The case revolved around Carson King, a 24-year-old casino security guard who gained unexpected fame after he appeared in the background of ESPN’s “College GameDay” on Sept. 14 holding a sign requesting donations for his “Busch Light Supply.” When strangers quickly sent him more than $600 on Venmo, he decided instead to donate the money to a local children’s hospital. Soon, Anheuser-Busch and Venmo announced matching donations as his fundraising topped $1 million.

That’s when the Register began working on a profile, and Calvin learned of two racist tweets King had sent when he was 16 years old. Before the newspaper could publish its profile, though, King held a news conference Tuesday evening apologizing for the racist jokes and revealing that Anheuser-Busch had cut ties with him. King said Calvin had brought the tweets to his attention, though he said he didn’t blame the newspaper.

Was the Register on a search-and-destroy mission, like Ben Penn was at Bloomberg? No. The paper explains that it was trying to write a balanced profile of Calvin that unexpectedly turned up a few inappropriate tweets:

Some of you wonder why journalists think it’s necessary to look into someone’s past. It’s essential because readers depend on us to tell a complete story.

In this case, our initial stories drew so much interest that we decided to write a profile of King, to help readers understand the young man behind the handmade sign and the outpouring of donations to the children’s hospital. The Register had no intention to disparage or otherwise cast a negative light on King.

In doing backgrounding for such a story, reporters talk to family, friends, colleagues or professors. We check court and arrest records as well as other pertinent public records, including social media activity. The process helps us to understand the whole person.

This explanation seems reasonable. Calvin was thrust into the spotlight, and the local paper decided to figure out who he was. This task stands in stark contrast with Ben Penn’s facebook crusade: his sole purpose was find bad stuff on Leif. Bloomberg would never have run a story if Olson’s social media was clean.

The Register also explains why it decided to write about the old tweets, once they were discovered:

Once we have obtained information in background checks, how do we decide what to publish?

It weighed heavily on our minds that the racist jokes King tweeted, which we never published, were disturbing and highly inappropriate. On the other hand, we also weighed heavily that the tweets were posted more than seven years ago, when King was 16, and he was highly remorseful.

We ultimately decided to include a few paragraphs at the bottom of the story. As

This analysis is incomplete. On the one hand, the tweets were inappropriate. On the other hand, the tweets were posted when King was 16–not even old enough to form a legal contract! Why, then did the paper opt for disclosure? The editor does not say.

Regrettably, the norm today is predictable: whenever anyone is thrust into the spotlight, for even the most insignificant reasons, an army of social media spelunkers climb through every crevice of the insta-celebrity’s timeline to find something–anything–to embarrass him. Conservatives do it to liberals. And liberals do it to conservatives. This circular firing squad needs to end–eventually, everyone can be cancelled. He that is without without social media sin among you, cast the first tweet.

What, then is the relevance of old, offensive tweets? To be sure, these posts shed some light into a person’s views at an early juncture of his life. But I am generally skeptical they provide much insight into how they currently approach the world–especially when the postings are old, and were published before a person’s professional career began.

How should our society weigh these old postings? I do not propose some sort of statute of limitations, in which past writings are off-limits. Rather, I suggest a different test: when a person’s established body of work is entirely inconsistent with, and indeed in tension with earlier postings, such nascent musings should be entitled to less weight. Under the opposite rule, everyone will be forever tainted by their worst moments. Our society should afford those aspiring for higher status the opportunity to grow, reflect, and recant.

from Latest – Reason.com https://ift.tt/2mhWLsR
via IFTTT

Deadwood: The Movie

“I was interested in how people improvised the structures of a society when there was no law to guide them.” That’s how David Milch, creator of the HBO drama Deadwood, described the project to The New Yorker in 2005. Fourteen years later, his story has finally come to completion with a feature film.

In its original three seasons, the prestige Western tracked a frontier camp’s progress, under the watchful eye of Sheriff Seth Bullock (Timothy Olyphant) and the bad influence of brothel owner Al Swearengen (Ian McShane), from muddy outpost to bustling village. The 2019 finale, Deadwood: The Movie, drops back in on the characters a decade after viewers left them following the show’s untimely cancelation.

In the duration, much has changed. Railroads have come to South Dakota. So has statehood and, even as we watch, telephony. Chaos gives way to spontaneous order but also to formal governance.

Fans of the series can rest easy, however. A (slightly) more civilized backdrop does nothing to dampen the interpersonal fireworks, and we get the same stellar acting and crackling dialog that garnered so many accolades in Deadwood‘s first run.

from Latest – Reason.com https://ift.tt/2ncaP7C
via IFTTT

“We’re At War”: Trump Bashes “Basically A Spy” Whistleblower During Meeting With Diplomats

“We’re At War”: Trump Bashes “Basically A Spy” Whistleblower During Meeting With Diplomats

Confirming reports in the NYT and LAT,  Bloomberg has obtained video from a private meeting between President Trump and about 50 American diplomats where a freewheeling, free-speaking President Trump cracked jokes about Adam Schiff and Joe Biden, and declared that whoever leaked the information about the Ukraine call to the whistleblower is “close to a spy.”

In his typically off-the-cuff style, Trump vented to his audience about the whistleblower and the scandal they’ve unleashed, at one point accusing them of being “highly partisan” and declaring “we’re at war,” before adding that “these people are sick. they’re sick.”

Trump reminded his audience that the whistleblower “never saw the call, never saw the report” before accusing whoever gave them the information of being “basically a spy.”

“I want to know who’s the person, who’s the person who gave the whistleblower the information? Because that’s close to a spy…and you know what we used to do in the old days when we were smart, right? The spies and treason – we used to handle it a little differently than we do now.”

Bloomberg described this last line as a “thinly-veiled threat” against the whistleblower, whose identity has yet to be revealed, and whoever assisted them. 

The freewheeling address to about 50 diplomats gathered at the UN – a group that included UN Ambassador Kelly Craft – included comments about the 2016 election, “Sleepy” Joe Biden, and “Little” Adam Schiff, whom Trump accused of having a small neck: “He’s got a neck about this big,” Trump said while pressing his index finger to his thumb, indicating a very narrow circumference. “He’s got shirts that are too big because you can’t buy shirts that are that small. He was never a coal miner, let’s put it that way.”

Venturing into hyperbole, as he often does during private events, Trump boasted that Abraham Lincoln was his only predecessor to appear more presidential than Trump.

“I’m the most presidential except for possibly Abe Lincoln when he wore the hat. That was tough to beat,” Trump said. But he added: “I have better hair than him.”

Of course, Trump’s freewheeling speech wouldn’t have been complete without a shot at the Bidens: Trump accused Hunter Biden, Joe Biden’s troubled son, who has struggled with substance abuse issues for most of his adult life, of improperly securing millions of dollars in business from Ukraine and China – claims that have been at the center of the Ukraine controversy. Trump didn’t spare “Sleepy Joe” Biden, at one point calling him “dumb as a rock.”

In one of his most entertaining admissions from the speech, which – again – was never intended to be made public, Trump told his audience that the only reason he talks about disregarding presidential term limits is because it drives liberals “crazy.”

Finally, Trump directed some harsh words toward CNN and the rest of the news media. “You know these animals in the press. They’re animals. Some of the worst human beings you’ll ever meet,” Trump said. “They’re scum. Many of them are scum.”

Trump soon ended his remarks, but not before praising coal miners and UN Ambassador Craft.

While the media will likely fixate on Trump’s “close to a spy remarks” for some of Friday’s news cycle, the leak of the video basically demonstrates that Trump’s private speaking style isn’t much different from how he comports himself in public.


Tyler Durden

Fri, 09/27/2019 – 06:00

via ZeroHedge News https://ift.tt/2nF4hyi Tyler Durden

Deadwood: The Movie

“I was interested in how people improvised the structures of a society when there was no law to guide them.” That’s how David Milch, creator of the HBO drama Deadwood, described the project to The New Yorker in 2005. Fourteen years later, his story has finally come to completion with a feature film.

In its original three seasons, the prestige Western tracked a frontier camp’s progress, under the watchful eye of Sheriff Seth Bullock (Timothy Olyphant) and the bad influence of brothel owner Al Swearengen (Ian McShane), from muddy outpost to bustling village. The 2019 finale, Deadwood: The Movie, drops back in on the characters a decade after viewers left them following the show’s untimely cancelation.

In the duration, much has changed. Railroads have come to South Dakota. So has statehood and, even as we watch, telephony. Chaos gives way to spontaneous order but also to formal governance.

Fans of the series can rest easy, however. A (slightly) more civilized backdrop does nothing to dampen the interpersonal fireworks, and we get the same stellar acting and crackling dialog that garnered so many accolades in Deadwood‘s first run.

from Latest – Reason.com https://ift.tt/2ncaP7C
via IFTTT

Walrus Sinks Russian Navy Boat In The Arctic To Defend Her Cubs

Walrus Sinks Russian Navy Boat In The Arctic To Defend Her Cubs

Authored by Elias Marat via TheMindUnleashed.com,

A boat belonging to the Russian Navy sank in the Arctic after coming under attack from a walrus, according to reports.

The incident occurred after a female walrus attacked a boat while defending her baby cubs in what was a striking example of how humankind and nature inevitably clash at the frontier separating wilderness from civilization.

Researchers from the Russian Geographical Society were on board the tugboat Altai belonging to the Russian Navy’s Northern Fleet during an expedition to the Franz Josef Land archipelago in the Arctic Ocean, according to a press release from the research group.

As the group of scientists disembarked from the Altai onto a small rubber landing craft in order to reach the shore of Cape Heller, located on one of the archipelago’s islands, the walrus began to attack the boat—likely because she feared that her cubs’ safety faced some threat.

The Geographical Society noted:

The boat sank, but the tragedy was avoided thanks to the clear actions of the squad leader. All the landing participants safely reached the shore.

A separate press release from the Russian Military described the encounter, but didn’t include the crucial detail that the boat sank.

The statement read:

“During the landing at Cape Heller, a group of researchers had to flee from a female walrus, which, protecting its cubs, attacked an expedition boat. Serious troubles were avoided thanks to the clear and well-coordinated actions of the Northern Fleet servicemen, who were able to take the boat away from the animals without harming them.”

The Barents Observer also reported that a drone was actively flying near the walruses, potentially triggering the mother’s maternal defense instincts. However, it remains unclear what led to the walrus’ aggression toward the ship, reports Science Alert.

Newsweek reports that female walruses are massive creatures that can weigh well over 2,500 pounds, while male walruses can weigh over 3,500 pounds, according to SeaWorld. And while the gigantic carnivores aren’t known to attack humans without serious provocation, they are known to be very protective when it comes to their offspring.

The research group had been studying the archipelago for over a month, observing climate conditions as well as flora and fauna that reside in the Arctic territory.

The researchers noted that the incident with the walrus shows how the polar altitudes remain “fraught with many dangersfor researchers, especially during the winter season when storms, frigid temperatures, and wild animals could pose a risk to humans.

The press release noted:

Winter has come to the Arctic, and the weather is making significant adjustments to the campaign plan for the Altai rescue tugboat. Lingering northern winds drove ice to the shores of the archipelago. After the wind shifted to the south, the ice edge moved north, but numerous icebergs appeared in the inner straits.”


Tyler Durden

Fri, 09/27/2019 – 05:00

via ZeroHedge News https://ift.tt/2nM9gxp Tyler Durden

Brickbat: Rooted Out

For a number of years, students at the Little Ones Learning Center preschool in Forest Park, Georgia, have grown vegetables. Last year, the school set up a bimonthly farm stand, selling vegetables grown at the school as well as from nearby farms. But this year, city officials shut it down because the school is in a residential neighborhood not zoned for food stands.

from Latest – Reason.com https://ift.tt/2nK9iG0
via IFTTT