The world has changed even more than
you might have been aware since the 1950s, when Dinah Shore scored
a hit with a song called “It’s So Nice To Have a Man Around the
House.” Now, in Jason Reitman’s oddly limp new film Labor
Day, the man is an escaped murderer, and the woman whose house
he’s around is a basket-case divorcée who is willing to overlook
this considerable shortcoming in exchange for some help with the
household chores. Kurt Loder says the movie is thoroughly
perplexing. By contrast, Loder finds Tim’s Vermeer
unexpectedly compelling.
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