With Miss Peregrine’s Home for Peculiar Children, Tim Burton delivers his most winningly crafted fantasy film in years. The movie has lots of digital imagery, but little of the visual bombast of his overstuffed Alice in Wonderland. Burton does fabricate some outsize monsters—towering, tentacle-mouthed horrors called Hollowgasts—but for the most part he deploys CGI in the service of gorgeous scenes and memorable images. The movie is a bit overextended, but it’s always great to look at, writes Kurt Loder.
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