Goodbye and Thank You to Brickbats Cartoonist Terry Colon 

Terry Colon rose to indie comics prominence in the late 1980s and early 1990s. He was a prolific contributor to the pioneering web magazine Suck, where he shared a masthead with Reason Editor at Large Nick Gillespie and drew the illustration for the iconic tagline, “A fish, a barrel, and a smoking gun.” At Reason, he has illustrated the short stories of abuse by authorities in the Brickbats section since 2006. He has also drawn for Entertainment WeeklyCrackedTime, and many other publications.

Since joining Reason, Colon has generated an avalanche of art, but his Guernica is almost certainly “What Part of Legal Immigration Don’t You Understand?”—an illustrated flowchart that details the maddening complexity of coming legally to the United States. The illustration appeared in our October 2008 issue; Colon also drew that month’s cover.

Ahead of his pending retirement, Reason Editor in Chief Katherine Mangu-Ward emailed with the notoriously private Colon, 65, about his time in the drawing business. Even though most Reason staffers have never heard the sound of his voice and we’re only 97 percent certain he exists at all, we will miss Colon’s knack for bringing impish levity to the most infuriating news items.

We are pleased to announce that another alternative comics legend, Contributing Editor Peter Bagge, will be picking up where Colon leaves off, bringing his own perspective to Brickbats.

Q: Are there particular types of Brickbat stories you find more difficult or more fraught to illustrate?

A: Some image ideas come readily, others take some mulling, and some things simply don’t lend themselves to any image, let alone a comical one. So, yes, some are more difficult, though I don’t know if they are of a type.

It might be easier if I were doing literal depictions of the text, but the Brickbats are representations of an underlying concept, situation, absurdity, or whatever. Such things are not always easily depicted. In the end, I don’t know how I generate picture ideas, let alone why sometimes I can’t. Just one of those ineffable things.

Q: Are there types of Brickbats you look forward to? 

A: I prefer ones that lend themselves to an image readily, hopefully a comical, satirical one. Is that a type? I don’t know. At any rate, it was nice to be able to pick which entries to illustrate myself.

Q: Have you ever met Charles Oliver, your longtime Brickbats colleague?

A: Afraid not. But in this computer age, I’ve not met or even spoke on the phone to most clients. They’re email entities. Rather impersonal, but it’s the modern way. Or maybe that’s just me. I’m rather a private person.

Q: You came to Reason from Suck. What was your role at that site?

A: I was pretty much just the house cartoonist/illustrator. I had the title “art director,” but there wasn’t much directing to do. The site look was established before I joined, and it didn’t much change. Though being art director meant I didn’t have to run sketches by anyone for approval. I just did the art and that was that. And when you’re cranking out four to 20 art spots daily, well, it saved time and aggravation, that’s for sure.

Q: Where else can Reason readers see your work?

A: These days, pretty much nowhere except the Suck archives, my site, and maybe old magazines and books picked up at the flea market. I stopped taking on clients and eased into a sort of semi-retirement after I paid off my house some years ago. Reason was my last regular gig.

Q: Your style is extremely distinctive and identifiable. Who are some other cartoonists who influenced you or whose style you admire?

A: That’s a tough one to answer. There are just so many and no one dominant influence. Off the top of my head, I’d cite Jay Ward (Rocky and Bullwinkle), Looney Tunes, Hanna-Barbera, and animated cartoons generally. Plus many influences I couldn’t put a name to, like TV advertising animation from the ’50s and ’60s, for instance.

Cartoonists I admire are quite varied—Charles Addams, Virgil Partch, Bruce McCall, and many more—and extending back to the early 20th century, such as Winsor McCay and George Herriman. Most didn’t influence my drawing, though maybe my sense of humor.

Q: Is it better or worse to be a cartoonist now than when you started?

A: On the one hand, computers have made it easier. On the other hand, the political correctness that has crept into the publishing industry certainly makes it more annoying and constraining than it was in the past. One reason I stayed with Reason to the end is they never made silly P.C. demands or requests.

Q: Are there any characters or subjects you won’t draw?

A: Certainly. Porn; hardcore violence; Castro, Che, and Mao as heroes; stuff like that.

Q: Do you have a cartoon you typically use as your “author photo”? 

A: Honestly, I’m not much of a caricaturist.

This interview has been edited for style and clarity

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CNN Admits 2020 Democrats’ “Voters, You’re All Wrong” Strategy Is The Dumbest Ever

Democratic presidential candidates appear to have painted themselves into a corner – abandoning their giant moderate base in order to ‘out-left’ each other, while promoting “radical, nonsensical, unpopular ideas that please only a slim minority of your own people” according to CNN‘s S. E. Cupp. 

In a blistering monologue on Saturday, Cupp suggested that the 2020 candidates may be setting themselves up for failure in the general election with one of the “dumbest strategies” she’s ever encountered. 

Proposals that were widely agreed upon by the candidates included; support for a woman’s unfettered access to abortion, free heathcare for people who live here illegally. Other items that had some support on the debate stage; government-run healthcare for all, free college tuition, and decriminalizing illegal border crossings. 

For people who, I don’t know, think that there should be some abortion restrictions, who believe we should probably work on increasing access to healthcare for American citizens, people who might like to keep their private insurance – who don’t want to pay other students’ college debt, who cross the border legally and pay taxes.” 

Are there any Democrats running for those people? People who, I’m guessing probably constitute a majority?

Who stood up on that stage this week and attempted to reach any disaffected Trump  voters? Moderates? Independents? I guess in the Democratic party those folks don’t matter. They’re unimportant. They don’t count. 

Only the far-left progressives who believe government is the cure-all for every problem deserve a presidential candidate’s attention and concern. The rest of you, well, you’re just wrong. If you think the economy is doing well, you’re wrong according to Elizabeth Warren and Cory Booker. All 71% of you. If you think you’re health insurance works just fine and you’d like to keep it, you’re wrong, according to Warren, Bill de Blasio and Bernie Sanders. 

If you think record unemployment is a good sign of a strong economy, you’re wrong – it isn’t, according to Kamala Harris. 

Telling a majority of voters you’re all wrong has to be one of the dumbest strategies I’ve ever encountered.

If this is the message Democrats have for voters, they should all just change their slogans to “I know better than you.” 

If the aim is to beat the President, I’m pretty sure that’s a loser idea. 

So is pitching radical, nonsensical, unpopular ideas that please only a slim minority of your own people. In fact, the winner of both debates might just have been Donald Trump

Watch:

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Brickbats: July 2019

Scott Mann, a member of the British Parliament, faced public mockery after suggesting the nation needs a national knife registry to battle knife-related crimes. “Every knife sold in the UK should have a GPS tracker fitted in the handle,” he wrote in a tweet.

Former Long Beach, Mississippi, police officer Cassie Barker has pleaded guilty to manslaughter in the death of her 3-year-old daughter. Barker left the girl in a car seat in her patrol car while she had sex with her supervisor at his home.

You’d think that officials in Australia’s Northern Territory would be happy that an unofficial slogan promoting tourism there had gone viral. But the Darwin City Council has voted to ban the sale at markets located on public property of any merchandise with that slogan: “CU in the NT.” Officials say the slogan is immature and offensive.

Two teachers at a Head Start program run by Southern Illinois University Edwardsville have been placed on leave and could face charges. Police say they forced 4- and 5-year-old students to stand naked in a closet as punishment when they misbehaved in class.

Former Paterson, New Jersey, police officer Ruben McAusland has been sentenced to five years in prison for drug dealing and assaulting a suicidal hospital patient. Video shot by the cop’s partner showed McAusland striking a man in a hospital bed hard enough that blood sprayed onto the bed. An earlier video, shot by a security camera, showed McAusland and his partner attacking the man as he sat in a wheelchair.

Bexar County, Texas, Precinct 2 constable deputies ordered a blood draw on a woman involved in a car crash without first obtaining a warrant and tried unsuccessfully to convince emergency responders to perform a cavity search of her. One deputy apparently mistook the smell of the woman’s airbag deploying for marijuana. Deputies later attempted to get statements from firefighters who had responded to the crash about the presence of drugs in her car. The woman was not charged in connection with the crash.

Two years ago, the British Parliament passed a law requiring sexually explicit websites to verify that users were 18 or older. The rules to implement that law were supposed to be in place in April 2018, but doing so without jeopardizing users’ privacy proved more difficult than anticipated, so government officials delayed the rollout by a year. It’s now clear the new deadline won’t be met either.

A Richmond County, Georgia, sheriff’s deputy cited Brooke Johns for disorderly conduct after her 3-year-old son urinated in a gas station parking lot.

Bethany, Oklahoma, police are investigating several teens for child pornography. The students—three girls and two boys aged 14 and 15—reportedly admitted to exchanging nude photos with one another.

Columbus, Ohio, police searching for a missing woman found her body in her car, which happened to be at a police impound lot. Officials say they don’t yet know whether Falyce A. Yuill, 61, was already dead when her car was towed or whether she died at the lot.

Both the Church of England and the National Secular Society have criticized a British government decision to deny asylum to an Iranian Christian after the man claimed Christianity is a peaceful religion. The Home Office rejected the man’s case and, in a letter, cited violence and violent imagery in the Bible.

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Bad Therapist

No one is more susceptible to con artistry than the desperate, the addicted, and those living in Los Angeles, the city where dreams can come true. In 2009, Chris Bathum’s dreams seemed to do just that. An underemployed swimming pool cleaner, he parlayed a dubious degree from a hypnosis school into a string of sober-living facilities around Malibu—one of thousands of such unlicensed operations along the Rehab Riviera.

His story is told in a fresh format: Bad Therapist by Evan Wright, author of Generation Kill, is the first of six “books” in an Amazon Original Stories series for Kindle, collectively titled Exposure. Each entry is longer than a typical magazine feature but shorter than most non–fiction books.

“Dr. Bathum” (or “L. Ron Bathum,” as his devotees sometimes called their charismatic leader) stumbled on what looked like a no-fail scheme built on increased opioid use, a recession that left the SoCal coast littered with empty McMansions, and the avalanche of addiction treatment money mandated by the Affordable Care Act. He staffed his facilities with former or current drug addicts (who earned commissions for bringing in other addicts), reality TV show personalities, and a former member of the rock band Danzig. Patients were charged up to $100,000 a month, and if any of them squealed about Bathum’s habit of raping his clients or about the crystal meth found in his Tesla, well, drug addicts lie, right? With virtually no oversight and insurance companies churning out checks, by 2016 Bathum took in $176 million.

Wright chronicles this “fraudsters paradise” with punch as well as heart, taking us, for instance, into the lives of two drug-addicted sisters and offering them the dignity Bathum worked hard to destroy.

Like any good Hollywood story, this one has a hero. Rose Stahl—29, pink-haired, and “sweet as a marshmallow”—morphs from Bathum acolyte into the person who will overcome addiction, play detective, escape an attempt on her life, and bring down the man who brought down so many others.

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How To Get Better at Budgets

You don’t have to be an avid consumer of news about the federal government to know that Uncle Sam’s annual budgeting process is a mess. The budget is rarely completed on time, and it always seems to get bogged down with partisan bickering and political scheming. The process is often interrupted or transformed into an emergency by fiscal cliffs and government shutdowns, and it faces numerous chronic problems as well, from dead-on-arrival White House budget plans to perpetually ignored statutory deadlines.

When the dust finally settles, the result is usually a bloated agglomeration of goodies for special interests that most likely had a better grasp of the budget’s contents than the elected representatives who voted on it (probably without ever reading it). Of course, almost every budget is bigger than its predecessor.

If the budgeting process is broken, it’s apparently been broken for a long time. Since the enactment of the Budget Control Act of 1974, which dictates the current rules and was meant to make Congress more accountable, legislators have passed all 12 of the required discretionary spending appropriations bills on time on just four occasions. Instead of an orderly process, we tend to end up with omnibus spending legislation that wraps everything into one giant spending bill or short-term “continuing resolutions” that punt on hard choices.

Various “fixes” have been proposed to right the budget process. One recurring idea is that we should replace an annual budget with a biennial budget, covering two fiscal years. Supporters argue that a longer budget period would give legislators more time to conduct oversight of federal programs and, thus, more time to weigh competing spending desires. With more time, spending would supposedly be better targeted toward those programs that “work,” while those that “don’t work” would either be “fixed” or see their funding cut thanks to better oversight.

This is wishful thinking. In the 19 states that currently have such a process in place, the opposite is true. Biennial-budget states actually spend more money, while oversight remains flat.

And congressional oversight is overrated. Oversight hearings are often just political dog-and-pony shows of little or no consequence. In many cases the whole point is for politicians to make statements that can then be used during political campaigns. These events are designed to benefit lawmakers, not the public.

The same can be said about budget-process reform, argues Stan Collender, a budget expert who teaches at the McCourt School of Public Policy at Georgetown University. His take is that the process actually works exactly as legislators want it to work. Indeed, for all the complaints that the budget process receives from those in charge, it enables politicians to do what they want to do (cater to interest groups) while avoiding what they don’t want to do (live within their means).

The growth of mandatory spending exacerbates the problem. Outlays on Social Security, Medicare, and Medicaid, as well as interest payments on the debt, aren’t appropriated each year in the manner of discretionary programs covering education, transportation, and the like. As a result, those programs can’t be used to distribute favors (though promising not to reduce spending on them often indirectly serves that function). As the number of people benefiting from the entitlement system grows and the eligibility rules are relaxed, a bigger and bigger share of spending has to be directed toward it. Today, 70 percent of the budget is spent on such programs, compared to 40 percent in 1970. Politicians therefore have less money to fling around on new spending meant to curry voter favor.

It’s true that some members of both houses talk about reforming the budget process to make it more rigorous and fiscally responsible. They have even formed House and Senate budget committees and held hearings on the issue. However, Collender believes that “this activity is less designed to retool the budget process than it is to placate all those who are so fervently saying that it needs to be reformed: the interest groups, think tanks, and associations that make up the inside-the-Beltway federal budgeting community.”

This situation is tragic. This chaos, and the resulting failure to follow budget rules, has led to an unremitting expansion of the size and scope of government. This U.S. debt, meanwhile, has more than doubled in the last 10 years, recently reaching $22 trillion. If it continues as projected, Washington will find itself in a tough spot, vulnerable to the risk of interest-rate hikes, an inability to increase spending on short notice to respond to emergencies, and slower growth overall.

Interest in how to design a better budget process—one that actually limits the growth of government—isn’t new. F.A. Hayek wrote in 1948 that Adam Smith’s “chief concern was not so much with what man might occasionally achieve when he was at his best but that he should have as little opportunity as possible to do harm when he was at his worst.” The goal must therefore be “a social system which does not depend for its functioning on our finding good men for running it, or on all men becoming better than they are now, but which makes use of men in all their given variety and complexity, sometimes good and sometimes bad, sometimes intelligent and more often stupid.”

It was the 1986 Nobel laureate James Buchanan who really pioneered the notion that good fiscal rules are key to controlling government spending and restraining government borrowing. His extensive body of work shows that, at least in theory, these rules can enforce budgetary restraints by tying politicians’ hands.

As the structural roots of budget deficits have become more widely understood, a growing number of countries have adopted fiscal rules to reshape democratic governance. The Columbia University macroeconomist Pierre Yared found that in 1990, only seven countries had such restrictions in place, but by 2015, 92 countries did. Governments across the world have been mandating deficit, spending, and revenue limits to constrain fiscal policy and curtail further increases in government debt.

These fiscal rules are broadly effective. Comprehensive data covering many years show that countries with such rules have annual budget deficits that are smaller by an average of 0.5 percent of gross domestic product (GDP) when compared to countries without such rules.

But not all rules are created equal when it comes to limiting government profligacy and slowing the growth of debt. Yared and Yale economist Marina Halac recently found that rules based on outcomes (e.g., setting a rule, preferably through a constitution, that limits spending growth to a certain percentage of GDP) tend to work better than rules based on short-term and arbitrary restraints, such as the “sequestration” requirement included in the debt ceiling deal of 2011, which lawmakers can lift easily. More specifically, expenditure-based rules and debt caps have higher rates of compliance in advanced economies than do balanced budget rules—around 70 percent vs. 35–55 percent. Compliance, which is fundamental to the success of fiscal restraint efforts, is even greater if the rules are legally enshrined or constitutionally binding.

Hong Kong

While there are many troubling aspects of governance in Hong Kong, it might actually represent the gold standard of good fiscal policy.

“Our commitment to small government demands strong fiscal discipline,” the territory’s financial secretary, John Tsang, explained in a 2014 speech at the Heritage Foundation. “It is my responsibility to keep expenditure growth commensurate with growth in our GDP.” That may sound like something a politician would say during a speech, but in Hong Kong it’s actually a constitutional requirement. Article 107 requires that the government strive to achieve a fiscal balance, avoid deficit, and, more important, make sure government spending doesn’t grow faster than the economy.

When their constitutions demand fiscal restraint, politicians go out of their way to anticipate the problems they might encounter in the future. Tsang noted, for example, that he had created a Working Group on Long-Term Fiscal Planning and directed it to conduct a fiscal sustainability health check. “We are keenly aware of Hong Kong’s low fertility rate and aging population,” he explained, “not unlike many advanced economies. And that can pose challenges to public finance in the longer term.”

Hong Kong’s public spending hasn’t risen above 13.5 percent of GDP in several decades, compared to 38 percent in the United States. Its debt is close to zero; social welfare spending remains steady around 3 percent of GDP (vs. 18.7 percent in the U.S.); and the share of the population relying on social security assistance has gone down from 8 percent in 2005 to 5.4 percent in 2014.

Switzerland

The Swiss are known for their fine watches and chocolate. They should be recognized also for the comparative excellence of their fiscal rules. After public referenda in 2001, the Swiss government in 2003 implemented a new constitutional requirement aimed at ensuring a balanced annual budget through a cyclically adjusted expenditure ceiling. The short story is that Swiss politicians are not allowed to increase spending faster than average revenues rise over a multiyear period (as calculated by the Swiss Federal Department of Finance). That basically confines spending growth to a rate no higher than the rate of inflation plus population growth.

Significantly, the Swiss “debt brake” rule appeals to economists and policy makers on both sides of the aisle. The fiscally conservative types like it because it is effectively a spending cap. It also makes it impossible to raise spending during good times, since the rate ceiling is taken from an average over several years, so the treasury’s coffers during such periods become flush with cash.

Key to this design is the fact that it is more difficult than it might seem for politicians to increase the spending cap by raising taxes. As economist Dan Mitchell of the Center for Freedom and Prosperity explained in The Wall Street Journal, “Maximum rates for most national taxes in Switzerland are constitutionally set (such as by an 11.5% income tax, an 8% value-added tax and an 8.5% corporate tax). The rates can only be changed by a double-majority referendum, which means a majority of voters in a majority of cantons would have to agree.”

Yet the debt brake also appeals to economists and policy makers who favor deficit spending when revenues plummet during economic downturns, because the rule allows for spending in excess of estimated revenues under special circumstances. This escape clause, which applies to recessionary periods, effectively deals with unforeseen emergencies without putting the rule at risk in the medium to long term.

There’s no arguing with the results: Annual spending growth fell from an average of 4.3 percent before the rule was implemented to 2.5 percent after. And in 10 out of the past 14 years, Switzerland has had budget surpluses. Deficits have remained rare and small, averaging 0.85 percent of GDP during this period. At the same time, Swiss debt has fallen from almost 60 percent of GDP in 2003 to around 42 percent in 2017. Switzerland now finds itself in an unusual place, with policy makers frequently debating what to do with all of their surplus revenue—a situation that seems a million miles away from the fiscal conditions in the United States.

In 2010, Germany adopted a policy similar to the Swiss debt brake. The rules are parallel to each other in that each follows the “small-government Keynesianism” model that allows the government to spend in a recession but cuts expenditures in good times, creating surpluses for when the country needs them. While the German rule isn’t as strict as the Swiss one, it has successfully reduced Germany’s public debt from 80 percent of GDP in 2010 to 64 percent of GDP in 2017.

Denmark

Vermont Sen. Bernie Sanders loves to tout Denmark as his model of a socialist paradise. The country is certainly no libertarian ideal, yet since the 1970s it has undertaken impressive reforms to address the serious fiscal issues brought on by the Danes’ very generous welfare programs. Among other reforms, Denmark has lowered its top income tax rate from 73 percent to 63 percent, lowered the corporate tax rate from 50 percent to 22 percent, abolished the wealth tax, reduced the length of government-supplied unemployment benefits from indefinite to two years, and raised the retirement age.

Denmark also implemented some interesting process-oriented reforms to more systematically control spending. In 2014, it passed a budget act aimed at ensuring a balance or surplus on the general government balance sheet as well as appropriate expenditure management at all levels of government.

The rule sets a limit of 0.5 percent of GDP on the structural—or persistent—budget deficit. Policy makers decided that managing spending under the condition of maintaining a balanced budget over time would lead to a stronger fiscal position in the long run. They also designed the system to take discretion out of their own hands by subjecting themselves to independent monitoring by the Danish Economic Council, which can impose automatic correction mechanisms in the event of a budget deviation. Such an action forces the Ministry of Finance to present an adjustment plan for the following year.

In addition to its structural deficit rules, the budget law introduced four-year rolling expenditure ceilings. These ceilings set legally binding limits for spending at all levels of government and by program. If one program spends under its cap, the remaining money cannot be reallocated to another program.

The Danish Economic Council assesses annually whether government policy is adhering to the target structural public balance and whether the proposed expenditure ceilings are consistent with medium-term projections in the structural balance for public finances.

According to data from the Organization for Economic Co-operation and Development (OECD), Denmark’s fiscal position improved significantly in the three years after implementation of its budget act. General government debt fell from 59.14 percent to 49.96 percent of GDP in that time, while central government debt fell from 38.22 percent to 29.88 percent of GDP, according to the International Monetary Fund (IMF). And in 2017, the country ran a budget surplus equal to 1.09 percent of GDP.

The Netherlands

For such a small country, the Netherlands has a lot going for it: Amsterdam, pot, tulips, bike paths. As it turns out, the IMF, the OECD, and the European Commission have also regularly highlighted the Dutch fiscal framework as an example of good practices that achieve a high degree of budgetary transparency. The framework has several commendable features, such as its medium-term (rather than short-term) orientation and use of independent macroeconomic forecasts.

Under the Sustainable Public Finance Law, passed in 2014, expenditure ceilings are set for three main budgetary areas—central government, social security, and health care—and benchmarks are set for revenues. While the revenues can fluctuate over the multiyear cycle, the expenditure ceilings must be respected as statutory requirements.

The Netherlands’ deficit ballooned beyond 3 percent of GDP from 2009 to 2013, but the country has seen noticeably improved fiscal conditions since 2014, especially compared to countries with other fiscal frameworks. In 2017, the government ran a budget surplus of 1.22 percent (compared to a deficit of 2.15 percent in 2014), and according to the OECD,  general government debt fell during those three years from 82.60 percent to 69.95 percent of GDP.

 

Why Most Rules Fail

Governments across the spectrum (from free market Hong Kong to Bernie Sanders’ beloved Denmark) have implemented prudent budget rules and policies. The ones that are most effective share some common features: They all impose a limit on the growth of spending (as opposed to the balanced-budget constitutional requirement favored by some economists), and they all set automatic triggers to reduce politicians’ discretion.

At this point you may be wondering: If they can do it, why can’t we? That’s the $22 trillion (and counting!) question. So what is it that convinced politicians in these other countries not simply to adopt fiscal rules but to adopt fiscal rules that truly constrain them?

I wish I knew. Financial crises, staggeringly large debts, slow economic growth, and angry voters probably all nudge politicians to adopt fiscal rule. But the data show that even when politicians do take steps to address fiscal problems, more often than not they choose policies that don’t work. Adopting the right rule—the kind that actually shrinks the growth of government—is what matters.

The same is true at the level of U.S. states. As my colleague Matthew Mitchell’s work on tax and expenditure limits (TELs) demonstrates, the design of the rule is what explains whether these TELs will control spending or not: The ones that are effective all tend to be constitutionally codified, to focus on spending rather than revenue, and to include provisions that require majority support to override.

Some TELs work pretty well, but these are exceptions rather than the norm. In other words, state officials and legislators often avoid designing rules that would actually tie their hands.

The literature on “fiscal adjustments”—the combination of expenditure and taxation increases and decreases—shows the same result. Economists have demonstrated that the way to reduce the government’s debt-to-GDP ratio is to adopt fiscal adjustment packages mostly made of spending cuts, preferably to entitlement programs. But in 80 percent of the cases where fiscal adjustment packages were put in place, politicians opted to rely more on tax hikes than on reductions in outlays.

The American Enterprise Institute’s Benjamin Zycher looked at the failure of TELs to deliver on their promise to constrain spending. He concluded that “the limits themselves are the products of the same political pressures and election dynamics that yield [the] fiscal outcomes” they are supposed to battle. “Moreover,” he wrote, “the competition among political interests that results in budget outcomes also is likely to weaken or circumvent limits that otherwise would be effective.”

Basically, the same forces that result in the government growing, debt piling up, interest groups getting what they lobby for at the expense of everyone else, and budget process drama are at play during the making of government fiscal rules. No wonder the constraints more often than not fail to accomplish what they’re meant to.

Yet some places do manage to overcome these forces. We can look to them for inspiration.

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Wow in the World

“I don’t know what you’ve been told, but we’re in a golden age / So many discoveries are jumpin’ off the page.” That’s the snappy beginning to the theme song of Wow in the World, the only podcast aimed at children that doesn’t make me want to drive my car off a cliff when listening together on family road trips.

The show, which stars NPR’s Guy Raz and SiriusXM’s Mindy Thomas as neighbors, takes kids on a series of outlandish adventures to teach them about the latest science in animal behavior, psychology, math, astronomy, and more. Imagine an old-school radio play style with the quirkiness turned up to 11.

Part of the show’s charm is that Guy and Mindy actually drop scholarly citations midstream and are exaggeratedly careful not to overstate their findings. Which means these 20-minute tidbits of kidtastic infotainment actually feature more responsible science journalism than most of what you’ll find in mainstream news sources for adults.

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Goodbye and Thank You to Brickbats Cartoonist Terry Colon 

Terry Colon rose to indie comics prominence in the late 1980s and early 1990s. He was a prolific contributor to the pioneering web magazine Suck, where he shared a masthead with Reason Editor at Large Nick Gillespie and drew the illustration for the iconic tagline, “A fish, a barrel, and a smoking gun.” At Reason, he has illustrated the short stories of abuse by authorities in the Brickbats section since 2006. He has also drawn for Entertainment WeeklyCrackedTime, and many other publications.

Since joining Reason, Colon has generated an avalanche of art, but his Guernica is almost certainly “What Part of Legal Immigration Don’t You Understand?”—an illustrated flowchart that details the maddening complexity of coming legally to the United States. The illustration appeared in our October 2008 issue; Colon also drew that month’s cover.

Ahead of his pending retirement, Reason Editor in Chief Katherine Mangu-Ward emailed with the notoriously private Colon, 65, about his time in the drawing business. Even though most Reason staffers have never heard the sound of his voice and we’re only 97 percent certain he exists at all, we will miss Colon’s knack for bringing impish levity to the most infuriating news items.

We are pleased to announce that another alternative comics legend, Contributing Editor Peter Bagge, will be picking up where Colon leaves off, bringing his own perspective to Brickbats.

Q: Are there particular types of Brickbat stories you find more difficult or more fraught to illustrate?

A: Some image ideas come readily, others take some mulling, and some things simply don’t lend themselves to any image, let alone a comical one. So, yes, some are more difficult, though I don’t know if they are of a type.

It might be easier if I were doing literal depictions of the text, but the Brickbats are representations of an underlying concept, situation, absurdity, or whatever. Such things are not always easily depicted. In the end, I don’t know how I generate picture ideas, let alone why sometimes I can’t. Just one of those ineffable things.

Q: Are there types of Brickbats you look forward to? 

A: I prefer ones that lend themselves to an image readily, hopefully a comical, satirical one. Is that a type? I don’t know. At any rate, it was nice to be able to pick which entries to illustrate myself.

Q: Have you ever met Charles Oliver, your longtime Brickbats colleague?

A: Afraid not. But in this computer age, I’ve not met or even spoke on the phone to most clients. They’re email entities. Rather impersonal, but it’s the modern way. Or maybe that’s just me. I’m rather a private person.

Q: You came to Reason from Suck. What was your role at that site?

A: I was pretty much just the house cartoonist/illustrator. I had the title “art director,” but there wasn’t much directing to do. The site look was established before I joined, and it didn’t much change. Though being art director meant I didn’t have to run sketches by anyone for approval. I just did the art and that was that. And when you’re cranking out four to 20 art spots daily, well, it saved time and aggravation, that’s for sure.

Q: Where else can Reason readers see your work?

A: These days, pretty much nowhere except the Suck archives, my site, and maybe old magazines and books picked up at the flea market. I stopped taking on clients and eased into a sort of semi-retirement after I paid off my house some years ago. Reason was my last regular gig.

Q: Your style is extremely distinctive and identifiable. Who are some other cartoonists who influenced you or whose style you admire?

A: That’s a tough one to answer. There are just so many and no one dominant influence. Off the top of my head, I’d cite Jay Ward (Rocky and Bullwinkle), Looney Tunes, Hanna-Barbera, and animated cartoons generally. Plus many influences I couldn’t put a name to, like TV advertising animation from the ’50s and ’60s, for instance.

Cartoonists I admire are quite varied—Charles Addams, Virgil Partch, Bruce McCall, and many more—and extending back to the early 20th century, such as Winsor McCay and George Herriman. Most didn’t influence my drawing, though maybe my sense of humor.

Q: Is it better or worse to be a cartoonist now than when you started?

A: On the one hand, computers have made it easier. On the other hand, the political correctness that has crept into the publishing industry certainly makes it more annoying and constraining than it was in the past. One reason I stayed with Reason to the end is they never made silly P.C. demands or requests.

Q: Are there any characters or subjects you won’t draw?

A: Certainly. Porn; hardcore violence; Castro, Che, and Mao as heroes; stuff like that.

Q: Do you have a cartoon you typically use as your “author photo”? 

A: Honestly, I’m not much of a caricaturist.

This interview has been edited for style and clarity

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The Clash Of Generations Is Here: Why People’s QE Is Inevitable

Via Global Macro Monitor,

Don’t know if you caught the Democratic debate the other night, which featured Bernie and Joe, who could be the grandfathers of some of the younger candidates that were on stage, but it also confirmed the arrival of what we have been writing about for years, the Clash of Generations.

Congressman Eric Swalwell was one the young Democrats on stage with Bernie and Uncle Joe last week.

If you missed this Atlantic piece, it is definitely a must-read,

Money Quotes: 

In a variety of different areas, the Baby Boom generation created, advanced, or preserved policies that made American institutions less dynamic. In a recent report for the American Enterprise Institute, I looked at issues including housing, work rules, higher education, law enforcement, and public budgeting, and found a consistent pattern: The political ascendancy of the Boomers brought with it tightening control and stricter regulation, making it harder to succeed in America. This lack of dynamism largely hasn’t hurt Boomers, but the mistakes of the past are fast becoming a crisis for younger Americans.

Boomers didn’t only make rules that nudge young people out of homeownership. They also made new rules restricting young people’s employment. Laws and rules requiring workers to have special licenses, degrees, or certificates to work have proliferated over the past few decades. And while much of this rise came before Boomers were politically active, instead of reversing the trend, they extended it.

...The most glaring example of this growth in regulation and control is also the easiest one to pin on Baby Boomers: the incredible rise in incarceration rates. Even though murder rates are today at the same levels they were in the 1950s, the imprisoned share of the population is higher in America than in any country other than North Korea. We imprison a larger share of the population than authoritarian countries such as Turkmenistan and China.

…Even young Americans today who are free from prison are nonetheless in bondage to debt—sometimes their own debt, in the form of rapidly growing student loans or personal and credit-card loans. But on a larger scale, the problems of entitlements, pensions, Social Security, Medicare, and federal, state, and local debt are becoming more severe all the time. Already, in places such as Detroit, Illinois, and Puerto Rico, where political rules make flexible solutions hard and the population is aging very quickly, massive debt restructurings loom large. But around the country, the pressures of long-term obligations will grow.

…Making these payments will require fiscal austerity, through either higher taxes or lower alternative spending. Younger Americans will bear the burdens of the Baby Boomer generation, whether in smaller take-home pay or more potholes and worse schools.

Furthermore, the basic demographic balance sheet is getting worse all the time, increasing the relative burden on young people. Working-age Americans are dying off in alarming numbers.

[Take a minute and study the above chart.  Probably some of the saddest data I have ever seen.  These data are often overlooked and ignored from the comfort of the gated retirement communities.]

…The odds of a 32-year-old dying have risen by 24 percent in the past five years, even as death rates among older Americans are about stable. Baby Boomers are living longer even as the workers who pay for their pensions are dying from an epidemic of drug overdose, suicide, car accidents, and violence. 

…If leaders in business, education, and politics want to solve these problems, they can. Whether the gerontocracy in charge today wants solutions may be another question altogether. – The Atlantic, June 24th

Our Warning In July 2011

We posted the following in The Clash of Generations  way back in July 2011,

How long before the young realize they’ve had their future stolen from them by the baby boomers?   The answer to this question will determine your  our defined benefit pension,  social security and medicare benefits.  Reality meets [the boomers] at sunset.  – GMM, July 2011

Now.  They are woke.

We also exhorted boomers in an even earlier post to, as a metaphor, give up their country clubs for muni golf courses in order to free up resources and give the young a fighting chance.  It is a social investment for the boomers, after all, the younger generations  will determine the fate of their underfunded pensions, social security, and medicare programs

Monetization Coming

We do think the young will choose monetization to finance the shortfalls and debts the boomers have bequeathed them as the case gains political credibility through the rise of Modern Monetary Theory.

A form of a “People’s QE” is inevitable, in our opinion, and that is why we totally disagree about the end game with the deflationistas, who, suffer from recency bias and have probably never spent a day, much less a week, in an economy suffering from hyperinflation.

Zero interest rates for an extended period (as in five and ten-year slogs, ala Japan)?  Not U.S. market rates, folks, if there are any remaining, which is questionable, we do concede.

America is not a net saver, has been dependent on foreign savings to finance is public and private deficits for years, and its net international investment position (NIIP) has crossed over the $10 trillion deficit mark in Q2 2019.

This compares to NIIP surpluses in Japan and Germany of around $4 and $2 trillion, respectively.

Contemplate for a moment the long-term consequences of the above chart for, say, the exchange value of the U.S. dollar.

Hayek May Be Prescient Yet

Frederick Hayek understood demographics and the aging population would be at the mercy and charity of the young,

In 1960, Friedrich Hayek predicted in The Constitution of Liberty “that most of those who will retire at the end of the century will be dependent on the charity of the younger generation. And ultimately not morals but the fact that the young supply the police and the army will decide the issue: concentration camps for the aged unable to maintain themselves are likely to be the fate of an old generation whose income is entirely dependent on coercing the young.” It hasn’t turned out that way at all—a salutary warning that it is much easier to identify generational conflicts of interest than to anticipate correctly the political form they will take. – The Coming Generation War,  The Atlantic 

Just some more potential political conflict to stuff in your pipe and smoke, folks.

Not sure if the younger gens will wrestle the power torch from the gerontocracy in 2020 but they will someday.

Boomers best be kind to the Millennials, X, Y, Z, and Alpha generations.

They are woke, not happy, and left of the salad fork.

via ZeroHedge News https://ift.tt/2J32Kuo Tyler Durden

Dave Barry Is Running for President (Again)

Dave Barry is the author of approximately eleventy billion books and the recipient of exactly one Pulitzer Prize. For four decades he wrote a weekly column, syndicated from his home base at the Miami Herald, and he is the author of an annual, despairing, hilarious “Year in Review.”

Barry’s books formed the basis for a short-lived show about his life, Dave’s World, and his novel Big Trouble was made into a film of the same name. It’s the story of a group of miscreants who wind up inadvertently stealing a nuclear suitcase and hijacking a plane due to their own incompetence. The film was set to be released—inauspiciously—on September 12, 2001. 

In June, Reason‘s Katherine Mangu-Ward sat down with Barry to talk about his new book, Lessons from Lucy, America’s strategic helium reserve (which Barry last discussed with Reason in 1994), jokes he can’t tell anymore, and his perennial vaguely libertarian campaign for the presidency.

Interview by Katherine Mangu-Ward. Intro by Todd Krainin. Edited by Ian Keyser. Cameras by Krainin and Mark McDaniel.

Vox Bubble Rumba‘ by Podington Bear is licensed under CC NC-BY 3.0

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Dave Barry Is Running for President (Again)

Dave Barry is the author of approximately eleventy billion books and the recipient of exactly one Pulitzer Prize. For four decades he wrote a weekly column, syndicated from his home base at the Miami Herald, and he is the author of an annual, despairing, hilarious “Year in Review.”

Barry’s books formed the basis for a short-lived show about his life, Dave’s World, and his novel Big Trouble was made into a film of the same name. It’s the story of a group of miscreants who wind up inadvertently stealing a nuclear suitcase and hijacking a plane due to their own incompetence. The film was set to be released—inauspiciously—on September 12, 2001. 

In June, Reason‘s Katherine Mangu-Ward sat down with Barry to talk about his new book, Lessons from Lucy, America’s strategic helium reserve (which Barry last discussed with Reason in 1994), jokes he can’t tell anymore, and his perennial vaguely libertarian campaign for the presidency.

Interview by Katherine Mangu-Ward. Intro by Todd Krainin. Edited by Ian Keyser. Cameras by Krainin and Mark McDaniel.

Vox Bubble Rumba‘ by Podington Bear is licensed under CC NC-BY 3.0

Subscribe to our YouTube channel.

Like us on Facebook.

Follow us on Twitter.

Subscribe to our podcast at iTunes.

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